Peer2Politics

In May 2011, hundreds of thousands of Greeks swarmed into Syntagma Square in Athens to protest against the firesale of their country, their labor rights and their livelihoods to corrupt domestic elites and foreign financial interests.

The water Commons in Thessaloniki, Greece’s second largest city, are under threat (an older post about here). Needless to say that in time of crisis such an enclosure of a common good is a common practice. A recent text by Theodoros Karyotis, a member of the Initiative 136 for social control of Thessaloniki’s water services, gives a thought-provoking summary of the current situation, the social movements and some recent related developments:

‘If representative democracy is only to choose every four, or five, or six years the person who’s going to do everything they want without taking popular will into account... we are in a sort of trap and I think that’s certainly the case today for Europe and elsewhere.’

This essay narrates, from a creator-observation perspective, the production of two works of fiction, a book of short stories and a play, based on the principles and technologies of Commons-based peer production (CBPP). This is potentially interesting from both the CBPP and the literary perspective. Even though both seem well-matched by their prima facie lack of profit orientation, CBPP case studies rarely deal with fiction, and regarding plays, artistic creativity is still mostly associated with one, maybe two. After tracing and analysing the CBPP phenomenon, the case studies show concretely the fate of the specific projects as well as how, nowadays, people can involve in collaborative artistic projects inspired and catalysed by Commons-oriented principles and technologies.

This essay set out to show, through the case of the RepRap-based, Lego-built 3D printing-milling machine, two points: First, on a theoretical level, that modularity, not only in terms of development process but also of hardware components, can catalyze CBPP’s replication for tangible products enabling social experimentation, learning and innovation. Second, that the synergy of a globally accessible knowledge Commons as well as of the CBPP practices with digital fabrication technologies, which are advancing and becoming more and more accessible, can arguably offer the ability to think globally and produce locally. 

Through the case of the RepRap-based, Lego-built three-dimensional (3D) printing-milling machine, this paper sets out to discuss and illustrate two points: First, on a theoretical level, that modularity, not only in terms of development process but also of hardware components, can catalyze Commons-based peer production’s (CBPP) replication for tangible products enabling social experimentation and learning. Second, the hybrid 3D printing-milling machine demonstrates the digitization of material and the potential of digital fabrication. We show how the synergy of a globally accessible knowledge Commons as well as of the CBPP practices with digital fabrication technologies, which are advancing and becoming more and more accessible, can arguably offer the ability to think globally and produce locally.

"The International Conference “Innovative, Open and Economically Sustainable Models of Creative Production”, organised by the National Documentation Centre (EKT) on September 30 and October 1 2013, is designed in order to examine and present emerging models of creative production in Greece, as they develop within the wider context of the European tendencies and developments in the field of cultural and creative industries. This international and public event will bring together representatives of contemporary practices, where research and applied innovation, culture and science, creativity and entrepreneurship meet.

Greece. A country in deep crisis. The promise of the Commons seems to embody the hopes and dreams of a multitude in search of an alternative, sustainable future. For the past few years, we have been witnessing a surge of Commons-fuelled activity: Projects, workshops and festivals explicitly focused on Commons-oriented ideas and practices are taking place throughout Greece.

For a country suffering from economic devastation and political upheaval, Greece is not accustomed to bursts of optimism.  But last weekend provided a showcase of hopeful, practical solutiions at the second annual CommonsFest, held in Heraklion on the island of Crete.  The festival brought together a dazzling array of commons and peer production communities:  hackers, open knowledge advocates, practitioners of open design, hardware and manufacturing, open health innovators, sustainable farming experts, among many others. 

Businesses tired of dealing with bureaucrats and failing corporations are relying on volunteer networks to provide cheaper goods and to sell directly to customers.

This essay narrates, from a creator-observation perspective, the production of two works of fiction, a book of short stories and a play, based on the principles and technologies of Commons-based peer production (CBPP). This is potentially interesting from both the CBPP and the literary perspective. Even though both seem well-matched by their prima facie lack of profit orientation, CBPP case studies rarely deal with fiction, and regarding plays, artistic creativity is still mostly associated with one, maybe two. After tracing and analysing the CBPP phenomenon, the case studies show concretely the fate of the specific projects as well as how, nowadays, people can involve in collaborative artistic projects inspired and catalysed by Commons-oriented principles and technologies.

The historical building of Riga Palamidi 2 of Embros was built in 1933 and till 1985 housed the printing facilities of EMBROS newspaper. In 1988 the Public Real Estate Corporation leased the building to the theatre director Tassos Bantis. 

This essay narrates, from a creator-observation perspective, the production of two works of fiction, a book of short stories and a play, based on the principles and technologies of Commons-based peer production (CBPP). This is potentially interesting from both the CBPP and the literary perspective. Even though both seem well-matched by their prima facie lack of profit orientation, CBPP case studies rarely deal with fiction, and regarding plays, artistic creativity is still mostly associated with one, maybe two. After tracing and analysing the CBPP phenomenon, the case studies show concretely the fate of the specific projects as well as how, nowadays, people can involve in collaborative artistic projects inspired and catalysed by Commons-oriented principles and technologies.

This research project attempts to examine to what extent the technological capabilities of open source 3D printing could serve as a means of learning and communication. The learning theory of constructionism is used as a theoretical framework in creating an experimental educational scenario focused on 3D design and printing. In this paper, we document our experience and discuss our findings from a three-month project run in two high schools in Ioannina, Greece. 33 students were tasked to collaboratively design and produce, with the aid of an open source 3D printer and a 3D design platform, creative artifacts. Most of these artifacts carry messages in the Braille language. Our next goal, which defined this project's context, is to send the products to blind children inaugurating a novel way of communication and collaboration amongst blind and non-blind students. Our experience, so far, is positive arguing that 3D printing and design can electrify various literacies and creative capacities of children in accordance with the spirit of the interconnected, information-based world.